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, by Kier-La Janisse
Ebook Download , by Kier-La Janisse
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Product details
File Size: 60738 KB
Print Length: 362 pages
Page Numbers Source ISBN: 1903254698
Publisher: FAB Press (January 27, 2015)
Publication Date: January 27, 2015
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00SUIQF5S
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Amazon Best Sellers Rank:
#152,313 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Exhaustive and well documented study of the female psychosis primarily in the horror and exploitation genres. Book is well written and entertaining. Open this at almost any page and you can read for hours. Refreshing to read about films that I've seen, from a female point of view. Woven in to text is Ms. Janisse's autobiography which adds subtext to her film analysis. My Netflix que has increased ten fold thanks to her. Ms. Janisse cover hundreds of films that are scattered over ten parts, illustrated with stills and a color midsection image gallery that is amazing. Recommended for anyone who values serious criticism of 70's exploitation and modern horror.
This is a delightful book and I wish there were more like it. It's an immersive, psychologically moored study of maligned and overlooked films, channeled through the lens of personally wrought autobiography. Janisse is a first-rate memoirist (sp?) who knows everything worth knowing about horror films and their manifold penumbras. If you liked that scholarly Carol Clover book that Joe-Bob recommended, this is the warty underbelly. The presentation is sumptuous, but for the typography (a personal nit). An engrossing read. A good book. Get the hardcover.
I love FAB Press, and I love this book. This book has tons of pictures and insightful movie reviews. This is a great read (so far), as well as a great coffee table book. I like how the author tied in events from her life with movies she saw.
The second I heard about this book I was intensely interested in reading it, but the hefty price tag was daunting. Then just a few weeks ago I saw that it had finally come out in a more affordable kindle version, so I was on it like the proverbial Duck on a Junebug. House of Psychotic Women is not an ideal book for digital reading—all those beautiful stills and all I have is this rudimentary B&W kindle, basically the E-reader equivalent of dial up—but then again, now that I've finished it I don't have to try to find room on my already bursting bookshelves for another oversized, fancy pants film book. Anyway, Panisse's personal, autobiographical approach to examining horror and exploitation films is wonderfully realized. This could have read as horribly self-indulgent oversharing but in her hands becomes the fascinating story of a woman from extremely dysfunctional origins making her way, despite a lot of daunting odds (at times it seems as though Panisse was the living embodiment of the kind of girls Linda Blair played in 70's TV movies like Sarah T: Portrait of a Teenage Alcoholic or Born Innocent). With the struggles she endured, it's no wonder she was so drawn to movies featuring Women on the Verge (or well past) Nervous Breakdowns in bona-fide classics like Rebecca, Cat People, and Marnie; cult faves like Let's Scare Jessica to Death and The Haunting of Julia; and obscurities like The Whip and the Body and Secret Ceremony. Panisse reminds us of the power of art—high, low, and everywhere in-between—to help us escape, to process, and sometimes transcend our life problems, issues, and concerns. She's an excellent, brave and honest writer, scholarly in a way, but never academic (really, you can only be so academic when writing about The Blood Splattered Bride or Love Me Deadly). Final score: 4 ½ out of 5; if you're at all interested in the type of films covered here you owe it to yourself to check this out, especially if you have a nice E-reader or feel expansive enough to drop some cash on the print version.
this book is the most important film book that has come out in years! Kier-La Janisse fascinates us with her blisteringcritiques of horror/ exploitation movies.All starring women. Psychotic, crazy movies that we all loved and terrified us.within this topography,Janisse blends her auto biography, almost. following the themes of the movies popular at any given time. It is a rare book. A wonderful read!
I am still actually reading HOUSE OF PSYCHOTIC WOMEN as I am fortunately finding some of the VERY personal materiel the book is really about to by overwhelming. Having been through some of the terrors she relates as well as family members, this is more than a journey down the exploitation film roots of cinema. This is a laid bare expose of her history of slowly unraveling. Hard to read, but totally BRILLIANT, it is way worth your time.... *I hold the film HOUSE OF PSYCHOTIC WOMEN very dear to my heart because of who I watched it with...
Amazing book. Insightful, intelligent, excellent writing. One of the most interesting books I've read all year. Another winner from FAB Press.
To call this book an intriguing read is an understatement. Part autobiography, part film criticism, part movie guide, Janisse pulls everything together under the umbrella of showing how horror and exploitation films not only reflect on real life, but how one’s life filters the reading of such films. Janisse moves quite fluidly between her own story and discussing films from her world of knowledge and experience. Rarely have I read a book with references to so many films I’ve never seen. Her inconclusive synopses can sometimes be a little frustrating, but her focus is undeniably true—how films are her life, literally and figuratively. And to boot, she’s offered quite a sound reference book as well, between the collection of artwork and the compendium of films for the second half that are ones referred to in her life story but others of interest as well. Her treatments of The Entity and Audition alone had me hooked on this one. It is by no means a fast read, but an entirely fascinating one.
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